Monday, April 26, 2010

A photo I've been after for a long time!!!


Here's Charlie Ponte, my old mentor, out on West 48th Street in Manhattan playing the world's largest sax. The man he sold this to brought it back for sercvice in 1975 when I was employed there as the reed maker. Young and foolish - I took no photos!!

Wednesday, November 25, 2009

Here's an article that should come out this weekend in the Conway Daily Sun

How to Prove the Reviewer Wrong

Very plainly speaking, a review is a personal assessment of a subject, incident, or event by a biased observer. Reviews come in a few different forms. Sometimes it seems, we confuse them and mistake one for the other.

In life, we meet with reviews daily, and we give reviews out freely. Most are silent or personal such as our wisecrack about the driver in front of us who cut us off, or our assessment of someone’s attire that we think is laughable. Not all our reviews are harsh, but certainly, these reviews are not intended to be heard by the person who is the object of our review.

Imagine though if our private thoughts were announced to the community. I think these unrequested assessments could indeed wound and be met with an intense response. If the nasty comments from the other driver were aimed at you, you would probably feel hurt, your pride being scorched - your blood would boil.

Then there's another kind of review - the welcomed review. This assessment given by a professional critic or invited observer is intended to inform others and provide feedback to the reviewed. It's not intended to harm the subject, and it's usually thought out, well composed, and based on a fair amount of experience and insight. Even the best review can have shards of uncomfortable truth in it.

Having put your heart and soul into your work, you have every right to hope that the critic will pay attention and like what they see. Hoping for this is reasonable, expecting it is not.

The review of Narnia by the performing arts critic of this paper was somewhat shocking in the context of the "kid glove" reviews of the past. Rightly so, this newspaper has a policy against reviewing children's performances in an adult context. I assume it's to avoid aiming a review at someone who didn't ask for it. Someone who could not grow from it or appreciate its potential.

Receiving no review is a part of the life of a performer, young or old. Receiving a negative review is a much more challenging part of that life. The shame one feels is real, and is amplified when broadcast to the community at large. To use the review to your own benefit, you have to set out to prove the reviewer wrong. The worse the review, the greater the challenge, and in challenge comes the opportunity for real growth. These kids have nothing to be ashamed of in receiving any kind of review. They have been challenged to excel - to rise up. It is time to prove the reviewer wrong not by harsh words, but by accomplishments.

As parents, we ache to shelter our children from malicious mischief, adult themes, and violence. Slowly, gradually, as they mature, we allow them to bump up against the harder, darker, and more complex parts of life. We want protect our kids and support their growth at the same time and in doing so, may shelter them to their detriment.

Once you've felt the sting of a review, you have been gifted in a singular way. Your mettle is tested, your determination is called upon, and your desire to rise up to the challenges you face has been called forth. There's work to be done, and accomplishments to achieve. Let's listen well to the critics, and prove them wrong when necessary. What you do in response can define your life.

Monday, November 9, 2009

Party Tuesday

Our one year anniversary party is tomorrow (tuesday). I'm a little nervous - will we have 25 people or 250 people show up? No way to tell.

I do know that the Bose people are coming and setting up the new Bose compact tower speaker and probably the L1 and L2 if we have room. If you've got an electric instrument - bring it down and test it out. Storyteller Andy Davis will be there, Beau Chadhina is playing some tunes, as is Mike Stockbridge, and maybe others?

Call for info 356-3562 or just come on down 5 to 8 pm for music, food, giveaways and more.

Thursday, November 5, 2009

Friday, October 30, 2009

When The Audience Is Ready.

When The Audience Is Ready.

Grace happens. So the bumper stickers promise us. It's not something you can quest for - the closer you get to what seems like Grace, the further it appears to recede. Grace comes to you. You have to be patient, you have to be present, and you have to be willing to witness its existence. Grace in music is found between the notes. It is not the sounds themselves, but the place between the previous note and the next note. Each little gap offers a magical little cubby hole into which you can peer for a brief moment. Most people don't even notice that it's there.

I often tell my students to "play between the notes,” which they know to mean that when you intentionally leave one note and strive to arrive at the next, you can fill the in-between space with meaning and intention. That's what gives the groove its juice and deepens a piece of music to its core.

The journey between two notes offers spectacular promise: adventurous diversion from what you think is your goal to a path you never imagined, but now can't imagine living without. All the while, remember that you cannot fill this space. It's already full. What you can do is try to witness the content and be willing to be changed by what you find.

The moment comes when the silence becomes the destination and you disappear into the gap between two notes. Entry to that rarified and magical space is not reserved for the few. It's what music making offers to every player and listener. At every achievement level, you have the opportunity to examine and live in and be changed by the space between the sounds.

Ultimately, I guess that Grace is whatever you decide it is. You decide if you want to bother with it. To you maybe it's God, or luck, or the Buddha, or a can of tomato soup. I don't think Grace cares. It just is.

I have this talent for making music that's interesting to listen to. The truth is that while you're listening to me play, I am trying to be as open as possible to the magic that lies in the Grace space between the notes. When I’m open, when the audience is ready - Grace happens.

Wednesday, October 21, 2009

Audio Kickstand

Here's the scene: the outdoor Fall Foliage Festival at Black Mountain in Jackson, NH last Saturday; pouring rain; large receptive crowd; you're a member of a hot funk band in the middle of a set under a huge tent - and with a sudden pop — no electricity.

A situation like this gives you no time to think or plan — no time to second guess. Whatever inner resources you bring to the bandstand — that's what you have to work with. In front of a crowd of hundreds, what you choose to do with this opportunity is very telling and sometimes compelling.

Take for example the brave and nimble Daniel Spofford, drummer for the band Audio Kickstand. This guy is the epitome of cool under pressure, with a healthy dose of lucky thrown in. In fact, the whole band appears to be made of the same stuff.Last Saturday, Black Mountain had an outdoor festival — nine bands, pony rides, season ticket give-aways. It's a fabulous venue (you should go next year). Hundreds of people came out for a good time, even in the pouring rain. Live electricity and pouring rain is always a tricky combo and all praise to the event folks at Black — they really pulled off a major win.

Audio Kickstand was part way through their very funky set when, as may be expected in a live situation there was a glitch. I was privileged enough to be under the festival tent listening to the band when the electricity went out and everything went semi-dark. The sound of the guitars and bass went blank and you could hear only a faint strumming in the background as the drummer rolled through his now solo phrases.It could have petered out right there, but Daniel continued through into the darkness. I could sense what I thought was a moment of trepidation and then with confidence rising, he expanded and added filigree and went on to create a fantastic drum solo out of nothing but a back beat and opportunity. The crowd sensed what was happening, loved it and rose with him. I wondered, how long could this solo continue if the electricity didn't come back. What's going to happen next?

The solo powered on like a freight train through about 30 bars (maybe 90 seconds) when the electricity sputtered back into play. It's as though the rest of the band anticipated this, and smack at bar 32, right where the drum solo needed a breath, and was ready to pass the baton, the whole band jumped up, jumped right in and moved forward as one right back into the song with the energy that comes from good fortune, grace and deep musicianship under pressure. It was a rare opportunity well met.

Those of you who were there should count yourselves lucky. Not many of us are presented with challenging and public opportunities like this one. Not all of them are as deftly handled as this was. But every day there are small opportunities within your grasp to take adversity and make something meaningful from it.

I guess I'm now a forever fan of Audio Kickstand. I want to be present when a group of talented individuals make wise choices and rise together as a community. Whether I'm on stage, in the audience or at a town meeting, the opportunities are waiting and I'm keeping my ears open.

Sunday, October 4, 2009

It's our One Year Anniversary


It's our One Year Anniversary and someone's going to win this guitar. Could it be you?

Thanks for being one of the folks who cares about music and has supported us through our first full year. You're totally invited to our anniversary party on November 10th.

WIN THIS JASMINE TAKAMINE ACOUSTIC ELECTRIC WORTH $600!

We have a surprise for you! A chance to win this guitar or one of these excellent prizes. It's easy to enter:


•Visit us at North Conway Music Shop
•Guess the number of picks in our fish bowl.


If your guess is closest to the correct number, you will walk away with . . .

First prize: a gorgeous quilted maple Jasmine Takamine Electric-Acoustic Guitar valued at $600.00
Second Prize: a cool all-wood Ukulele
Third Prize: an Australian aboriginal style didgeridoo

It's our way of saying thanks for your suggestions, support and friendship throughout our first year. The winner will be announced at our Gala First Anniversary Party on November 10th. We hope you'll attend! Thanks for being a big part of our success,
-- Brian, Jen and John

Call 356-3562 for more info.